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I’ve been doing more editing than writing lately, and I’ve
noticed plantations of excess dialogue tags. Today I examined one of my own
chapters, and though I may not have discovered a speech-tag plantation, there
was a pretty green farm.
The idea of pruning my novel yet another time makes me wince
and come suddenly aware of aches and pains in my every joint. But, I’m going to
search only for needless tags on this run, so I’ll just grab the Bengay and get
to work. (At least it’s my intent to focus only on these irritating dialogue labels,
though I’m sure to find other pesky problems.)
To make it easier, I looked for a motivator, and though I
desperately pray I do not have even two excess tags per page, I’ve calculated something
that can get me moving. My novel is not 300 pages long, but for example’s sake,
I’ll pretend it is. With two dialogue attributions deleted from each of 300
pages, that would kill 600 tags. Also, I’ll consider each to be at least two
words. That would mean an elimination of 1,200 words.
Now that’s something to tag about.
A lot of speech attributions aren’t necessary. If a line of
dialogue ending in a tag is followed by the speaking character doing something,
no matter how trivial, readers will know who’s talking as soon as the name is
mentioned. There’s no reason to tag then. I have found that by purposely
squeezing out a number of speech tags, I’ve had to reword the sentences
following dialogue. The rephrasing has often resulted in the prose becoming
more active and much more concise. That’s a double whammy in one shot–no speech
tag and a clearer meaning.
That, too, is worth tagging about.
Please let me know if
you have any great ideas on getting rid of these jarring weeds.
